Search results for Gary Scharnhorst
413 results found. Showing ( 1 -» 10 ).
1
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More than any other Transcendentalist of his time, Henry David Thoreau (1817-1862) embodied the full complement of the movement's ideals and vocations: author, advocate for self-reform, stern critic of society, abolitionist, philosopher, and naturalist. The Thoreau of "our" time--valorized anarchist, founding environmentalist, and fervid advocate of civil disobedience--did not exist in the nineteenth century. In this rich and appealing collection, Sandra Harbert Petrulionis untangles Thoreau's multiple identities by offering a wide range of nineteenth-century commentary as the opinions of those who knew him evolved over time. The forty-nine recollections gathered in "Thoreau in His Own Time" demonstrate that it was those who knew him personally, rather than his contemporary literati, who most prized Thoreau's message, but even those who disparaged him respected his unabashed example of an unconventional life. Included are comments by Ralph Waldo Emerson--friend, mentor, Walden landlord, and progenitor of the spin on Thoreau's posthumous reputation; Nathaniel Hawthorne, who could not compliment Thoreau without simultaneously denigrating him; and John Weiss, whose extended commentary on Thoreau's spirituality reflects unusual tolerance. Selections from the correspondence of Caroline Healey Dall, Maria Thoreau, Sophia Hawthorne, Sarah Alden Bradford Ripley, and Amanda Mather amplify our understanding of the ways in which nineteenth-century women viewed Thoreau. An excerpt by John Burroughs, who alternately honored and condemned Thoreau, asserts his view that Thoreau was ever searching for the unattainable. The dozens of primary sources in this crisply edited collection illustrate the complexity of Thoreau's iconoclastic singularity in a way that no one biographer could. Each entry is introduced by a headnote that places the selection in historical and cultural context. Petrulionis's comprehensive introduction and her detailed chronology of personal and literary events in Thoreau's life provide a lively and informative gateway to the entries themselves. The collaborative biography that Petrulionis creates in "Thoreau in His Own Time" contextualizes the strikingly divergent views held by his contemporaries and highlights the reasons behind his profound legacy.
Sandra Harbert Petrulionis
Biography & Autobiography
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A vivid snapshot of America's kaleidoscopic literary tradition, A Journey Through American Literature illuminates the authors, works, and events that have shaped our cultural heritage. Kevin J. Hayes charts this history through a series of approachable thematic chapters-Narrative Voice and the Short Story, the Drama of the Everyday, the Great American Novel-that reveal the richness of American literature while providing a compelling set of footholds with which to engage it. Among the topics covered are the role of travel and the symbolism of geography, characters and the importance of voice and dialect, self-definition and the American dream, new beginnings, and the role of memory. Hayes not only discusses the main canonical genres like poetry, drama, and the novel, but also looks at travel writing, autobiography, and frame tales. Key writers like Mark Twain, Ralph Ellison, Emily Dickinson, and Harriet Jacobs are central players in the drama while dozens more create a backdrop that gives this history depth. The book also features over 20 illustrations, a bibliography, and a chronology listing the key events and work in America's literary history.
Kevin J. Hayes
Literary Criticism
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The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press published "Autobiography of Mark Twain, " Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life's work of America's favorite author.This "Reader's Edition, " a portable paperback in larger type, republishes the text of the hardcover "Autobiography" in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain's ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2-a controversial but characteristically humorous attack on Christian doctrine.
Mark Twain
Literary Criticism
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Reference
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What did most people read? Where did they get it? Where did it come from? What were its uses in its readers' lives? How was it produced and distributed? What were its relations to the wider world of print culture? How did it develop over time? These questions are central toThe Oxford History of Popular Print Culture, an ambitious nine-volume series devoted to the exploration of popular print culture in English from the beginning of the sixteenth century to the present. Volume six explores a cornucopia of US popular print materials from 1860 to 1920, the period when mass culture exploded into the everyday lives of large swathes of the population. Thirty specially written essays by scholars from a wide range of disciplines - history of the book; literary, cultural, media, and film studies; social history, journalism, and American Studies - probe the material conditions, proliferating genres, and cultural work of newly affordable and accessible forms. A dozen short entries address additional topics, genres, and approaches. A chronology of the relevant legal, technological, and organizational developments of the period and a list of online and physical archives provide further support for study in this burgeoning field. Cumulatively, the volume revisions the power of 'the popular' in its many meanings - widely circulated, commercialised, vernacular, working-class, cheap, accessible; it recovers and analyses neglected cultural webs and networks, as well as individual authors, famous and forgotten; and it interrogates conventional cultural hierarchies and high/low binaries. The volume pursues some key issues in rich archival and analytical detail. How did new technologies of production and distribution shape a plethora of print forms, including advertising leaflets, postcards, tracts, pamphlets, dime novels, story papers, newspapers, magazines, and cheap books? How did upheavals in the publishing industry and new regulatory mechanisms affect circulation and consumption? How did various genres mediate social and political transformations of the period? How did popular print forms consolidate transnational and borderlands networks? How were particular cultural communities, including Native American, African American, Asian American, and Mexican / America alternately served and oppressed by popular print? How was it seized in support of labour and woman suffrage, and how was it wielded by governmental and educational institutions? How did print interact with other media?
Christine Bold
Language Arts & Disciplines
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When Mark Twain published his Adventures of Huckleberry Finn in 1884, it was seen as the most important representative of a new literary movement: the realistic literature. Though not everyone thought of the novel as a “masterpiece” from the beginning on, it became more popular and significant in the following decades. Ernest Hemingway even called it “the one book that all modern American literature comes from” (Bloom 2004:2). Taken at face value, this statement implies that also Stephen Crane's Maggie – A Girl of the Streets has been influenced by Twain's writing. Since both authors belong to the same period in American literature they naturally adopted literary styles, topics and devices that were typical for that era. Though both novels belong to the realistic period they vary in certain aspects. Unique to Crane's novel are the use of language and the determinism that accompanies the story. These aspects are the central subjects of this paper. It states that language, the characters and the aspect of determinism make Maggie a rather naturalistic than realistic novel. To understand the difference between both terms a review gives the characteristics of realism and separates naturalism as an independent literary form. The two main aspects that make Maggie a naturalistic novel are being examined separately afterwards. Here, the novel itself shall be the main source. At first, determinism is detected in the novel and it shall explain how the characters' fate is shaped throughout the story. Afterwards, aspects of naturalistic language and animal metaphors are examined. The conclusion gives a brief summary of the findings and offers further considerations on the topic and the novel.
Kristina Eichhorst
Unknown
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"An indispensable tool for teachers and students of American literature, Reading the American Novel 1865-1914 provides a comprehensive introduction to the American novel in the post-civil war period. Locates American novels and stories within a specific historical and literary context Offers fresh analyses of key selected literary works Addresses a wide audience of academics and non-academics in clear, accessible prose Demonstrates the changing mentality of 19th-century America entering the 20th century Explores the relationship between the intellectual and artistic output of the time and the turbulent socio-political context"--
G. R. Thompson
Literary Criticism
8
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This book discusses the concept of the Battlekreuzer. The German Großerkreuzers, as they were known, were built to strict financial limits, and therefore the German designs were always a compromise between the factors listed under design philosophy. Individual ship histories are detailed with particular emphasis upon their battle experience and deployment in conflict, and author Gary Staff includes a variety of official records and personal first-hand accounts will be used. The battlekreuzer had a remarkable ability to withstand battle damage, as demonstrated by the Goeben, which suffered five mine hits on one occasion. Full colour artwork plates and detailed line drawings and photographs support the and enrich the engaging text.
Gary Staff
Unknown
9
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Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. "Deep as Dante," Herman Melville said. Hawthorne himself declared that he was not "one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit" for the public. Yet those who knew him best often took the opposite position. "He always puts himself in his books," said his sister-in-law Mary Mann, "he cannot help it." His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein ("Luminous"Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with themhe was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne's fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children's books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit. From the Hardcover edition.
Brenda Wineapple
Biography & Autobiography
10
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American Socialist Triptych focuses on three writers key to the development of American socialism between 1890 and 1940: Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois. Most books on the literature of the American Left have focused on Communist influences during the period of the Great Depression; American Socialist Triptych begins 40 years earlier, showing the evolution of American socialism and how early socialist literary and cultural traditions were sustained into the 1930s when they made social democracy more widely known and highly appealing to certain groups. American Socialist Triptych shows how socialist theory and practice permeate the work of not only Sinclair (readily recognized as a socialist) but also Gilman and Du Bois, including the feminist and civil rights writing for which they are best known today. Considered together, the three writers highlight the breadth and depth of American socialist movements. Gilman particularly represents both a nascent tradition of American socialist-feminism and the socialist aspects of 1890s Nationalism and Populism. Sinclair was a key player in the rise of the Socialist Party in the 1900s and ’10s and in the movement of social democratic policies into mainstream politics during the 1920s and ’30s. Du Bois, meanwhile, brings to light the social democratic aspirations of a prominent faction within the NAACP, as well as the conflicted alliances between black activists and left-wing political organizations, including the Communist Party. In narrating the development of American socialism, the argument counterpoints Gilman, Sinclair, and Du Bois with one another, but it also includes substantial discussion of others active in both politics and literature including Edward Bellamy, William Dean Howells, Hamlin Garland, Jack London, Michael Gold, Edna St. Vincent Millay, Claude McKay, and Langston Hughes. “A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S.” —Sylvia Cook, University of Missouri, St. Louis
Mark Van Wienen
Unknown
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"'Walt Whitman's Reconstruction' reveals the ways that Whitman reconstructed and read the war through his own life and memories. By looking at Whitman's engagement with the political issues of the day and the larger literary scene in addition to his efforts to absorb the war into his poetic narrative of Reconstruction, Buinicki provides new insights into the evolution of Whitman's postwar views and writings"--Provided by publisher.
Martin T. Buinicki
History
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