Search results for Robert C Sickels
815 results found. Showing ( 1 -» 10 ).
1
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Contains biographies of Senators, members of Congress, and the Judiciary. Also includes committee assignments, maps of Congressional districts, a directory of officials of executive agencies, addresses, telephone and fax numbers, web addresses, and other information.
Congress (U S ) Joint Committee on Printing
Political Science
2
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Learn how key structures of classical architecture impact surgical anatomy, preoperative planning, and operative repair of CMF fractures, leading to improved outcomes.Buttresses are the basis for reduction and repair of craniomaxillofacial fractures and are essential for determining the optimal location, for placement of reparative plates and screws. Craniomaxillofacial Buttresses: Anatomy and Operative Repair endorses surgical anatomy as a basis for operative intervention.Special Features:•“Buttresses” is the first book to coalesce the expertise of the five specialties involved in craniomaxillofacial (CMF) reconstruction after trauma - plastic surgery, oculoplastic surgery, otolaryngology-head and neck surgery, ophthalmology, and neurosurgery.•Parallels between architecture and CMF anatomy; basic biomechanics; and advanced finite analysis depict the distribution of impact (load-forces to-and-from the craniofacial skeleton) and the modern principles of operative repair•A recurring, two-part format provides continuity, from chapter to chapter. Part 1 identifies the anatomy of a specific CMF region; Part 2 serially depicts clinical presentation, radiographic evaluation, modern techniques of operative repair, and potential collateral damage. •Algorithms and illustrations, by renowned artist William Winn, reinforce a logical sequence of clinical management.•Compelling preoperative, intra-operative, and postoperative photographs and supplemental text illustrate exemplary repair.•Key References for repair of each anatomic region are especially helpful, when managing complex injuries; Additional Biography allows the reader to efficiently further delve, in select cases.From the frontal boss to the lower jaw, this book is one-of-a-kind and brings together history, applied surgical anatomy, and operative techniques in the CMF region, in a way not seen since the classic by Reed O. Dingman and Paul Natvig, in 1964. An educational reference for medical students, residents, fellows, and clinicians, Craniomaxillofacial Buttresses: Anatomy and Operative Repair simplifies board review-and-study.From the foreword I by Robert M. Goldwyn, MD: [The text is] “gracefully written ... every word has been chosen carefully. Seldom is a reader fortunate enough to find and learn from a book so much, so effortlessly.”From the foreword II by Paul M. Manson, MD: “There are no facial fracture texts in any of the five specialties that deal with facial injury in this amount of detail; nor do they cover all of the craniofacial areas of modern interest, as does this text.”
Richard Pollock
Medical
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Numerous studies have documented the transnational experiences and local activities of Chinese immigrants in California and New York in the late nineteenth and early twentieth centuries. Less is known about the vibrant Chinese American community that developed at the same time in Chicago. In this sweeping account, Huping Ling offers the first comprehensive history of Chinese in Chicago, beginning with the arrival of the pioneering Moy brothers in the 1870s and continuing to the present. Ling focuses on how race, transnational migration, and community have defined Chinese in Chicago. Drawing upon archival documents in English and Chinese, she charts how Chinese made a place for themselves among the multiethnic neighborhoods of Chicago, cultivating friendships with local authorities and consciously avoiding racial conflicts. Ling takes readers through the decades, exploring evolving family structures and relationships, the development of community organizations, and the operation of transnational businesses. She pays particular attention to the influential role of Chinese in Chicago's academic and intellectual communities and to the complex and conflicting relationships among today's more dispersed Chinese Americans in Chicago.
Huping Ling
Social Science
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This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era-The Digital Age.
Robert C. Sickels
Performing Arts
5
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This illuminating book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt.
Linda Freedman
Unknown
6
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This book offers a practical yet powerful way to understand the psychological appeal and strong motivation to play video games.
Scott Rigby |
Richard M. Ryan
Games
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Hailed for its dramatic expressionist visuals, film noir is one of the most prominent genres in Hollywood cinema. Yet, despite the "boom" in sound studies, the role of sonic effects and source music in classic American noir has not received the attention it deserves. Siren City engagingly illustrates how sound tracks in 1940s film noir are often just as compelling as the genre's vaunted graphics. Focusing on a wide range of celebrated and less well known films and offering an introductory discussion of film sound, Robert Miklitsch mobilizes the notion of audiovisuality to investigate period sound technologies such as the radio and jukebox, phonograph and Dictaphone, popular American music such as "hot" black jazz, and "big numbers" featuring iconic performers such as Lauren Bacall, Veronica Lake, and Rita Hayworth. Siren City resonates with the sounds and source music of classic American noir-gunshots and sirens, swing riffs and canaries. Along with the proverbial private eye and femme fatale, these audiovisuals are central to the noir aesthetic and one important reason the genre reverberates with audiences around the world.
Robert Miklitsch
Unknown
8
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At the age of twenty-six, Steven Soderbergh launched his career in the film industry with astonishing success. His film sex, lies, and videotape (1989), which he wrote in only eight days, won the prestigious Palm d'Or at the Cannes Film Festival, a bittersweet blessing that shaped high expectations for the young director. The film, also nominated for an Academy Award, is regarded by most film experts as a turning point in the history of American independent cinema. The Philosophy of Steven Soderbogh examines Soderbergh's full body of work, from films that brought him commercial success such as Erin Brockovich (2000), to more controversial films such as The Limey (1999), which put his name among the ranks of such celebrated filmmakers as the Coen brothers, David Lynch, and Orson Welles. Editors R. Barton Palmer and Steven M. Sanders introduce readers to the imaginative storylines, philosophically salient themes, and inventive approaches to filmmaking that distinguish Soderbergh's work. Expert scholars analyze Soderbergh's films individually, exploring topics such as the nature of reality in Solaris (2002); the heritage of Enlightenment thought in Schizopolis (1996); guilt, punishment, and redemption in The Limey (1999); altruism in Erin Brockovich (2000); truth, knowledge, and ethics in sex, lies, and videotape (1989); politics as reality and fiction in K Street (2004); and Kantian ethics, performance, and agency in Traffic (2000) and the Ocean's trilogy (2001-2007). Like the Coens and David Lynch, Soderbergh places emphasis on character over narrative, self-conscious stylistic display and visual exuberance, and a deep, often disturbing engagement with the problematic aspects of the human condition. His films take on a variety of cinematic forms, often by joining the traditions of film noir and crime cinema with European styles and themes. By consistently challenging the viewer to question the foundations of knowledge, understanding, and reality, Soderbergh's films have played a significant role in the advancement of American art cinema. R. Barton Palmer Is Calhoun Lemon Professor of Literature at Clemson University and the author or editor of many books. Steven M. Sanders, professor emeritus of philosophy at Bridgewater State University
R. Barton Palmer |
Steven Sanders
Unknown
9
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The western is arguably the most iconic and influential genre in American cinema. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West render the genre popular yet lead it to offer a view of America's history that is sometimes inaccurate. For many, the western embodies America and its values. In recent years, scholars had declared the western genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished the genre as one of the most important. In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays draw from a wide range of westerns including the recent popular and critical successes Unforgiven (1992), All the Pretty Horses (2000), 3:10 to Yuma (2007), and No Country for Old Men (2007), as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the influence of the western on the American psyche, filling a void in the current scholarship of the genre.
Jennifer L. McMahon |
Jennifer McMahon |
B. Steve Csaki
Unknown
10
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More than 150 articles provide a revealing look at one of the most tempestuous decades in recent American history, describing the everyday activities of Americans as they dealt first with war, and then a difficult transition to peace and prosperity.
William H. Young |
Nancy K. Young
History
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