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666 results found. Showing ( 1 -» 10 ).
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book cover: Free Press Summer Fiction Sampler

This summer, Free Press will publish five powerful, original, and irresistible novels. The eBook edition of the Free Press Summer Fiction Sampler includes excerpts from Shelter, The Folded Earth, Gone to the Forest, The Other Half of Me, and Some Kind of Peace. With behind-the-scenes content interspersed throughout, the sampler will transport readers to gorgeous landscapes around the world, from the foothills of the Himalaya to the Welsh countryside to the icy shores of Sweden, and into the riveting, tumultuous lives of five communities of unforgettable characters. In Shelter, two young sisters struggle with the devastating loss of their parents, as they’re forced to build a new life on their own in a strange town. Anuradha Roy’s internationally acclaimed The Folded Earth introduces us to the beautiful and brave Maya, a young widow who finds unexpected kinship in a remote Indian village. Gone to the Forest explores post-colonial struggles through the powerful, haunting story of a father and son torn apart. The glitteringly wealthy Anthony family in The Other Half of Me offers a tantalizing glimpse into the glamour and heartbreak of high society in the Welsh countryside. And Some Kind of Peace, a chilling Scandinavian thriller written by a bestselling team of Swedish sisters, follows the grisly, crime-solving exploits of a female psychologist.

Camilla Grebe | Åsa Träff | Anuradha Roy | Frances Greenslade | Katie Kitamura | Morgan McCarthy
Fiction
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book cover: The Cambridge Companion to Popular Fiction

An overview of popular literature from the early nineteenth century to the present day from a historical and comparative perspective.

David Glover | Scott McCracken
Literary Criticism
4
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book cover: Detective Fiction and the African Scene. from the Whodunit? to the Whydunit?

From its very inception, detective Fiction has enjoyed a great popularity among the young and the old, the learned and the not so learned. By some unfortunate stroke of irony, its respect has not kept pace with its enormous popularity. For over half a century now, it has remained the bane of creative writing. In strict intellectual circles, it is very rare to find people talk defensively and interestingly about the genre. Yet Asong has chosen to do just that. He has stoutly defended the weak by putting up a good case for its continued existence. He has also shown how irresistible key elements of the genre are to even the best respected novelists. Finally he has demonstrated for the first time, how the genre has been domesticated by African writers of very great repute such as Ngugi, Sembene and Lessing. That he has been able to prove that these writers have used techniques of detective Fiction is a significant broadening of the horizons for appreciating creative writing in Africa.

Linus Asong
Literary Criticism
5
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book cover: Still Wild

The Real Western Canon Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short Fiction , introducing a stellar collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier. Featuring a veritable Who's Who of the century's most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination -- one that is alternately comic, gritty, individual, searing, and complex. Contributors Wallace Stegner * Dave Hickey * Dao Strom * Dagoberto Gilb * William Hauptman * Jack Kerouac * Ron Hansen * Diana Ossana * Robert Boswell * Tom McGuane Louise Erdrich * Max Apple * Mark Jude Poirier * Rick Bass * Jon Billman * Richard Ford * Raymond Carver * Annie Proulx * Leslie Marmon Silko * William H. Gass

Larry McMurtry
Fiction
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book cover: The Fiction of Juan Rulfo

This is the first extended, English-language study to focus exclusively on the Fiction of Juan Rulfo in over twenty years. It contains innovative analyses of a selection of short stories from Rulfo's collection, El llano en llamas (1953). It also examines in great depth two of the main characters of Pedro Páramo (1955), Rulfo's masterpiece and only novel. The book shows how Rulfo's works can be read as exercises in irony directed against both the rhetoric of post-Revolutionary Mexican governments and the legacies of colony in the Mexican countryside. Successive Mexican governments promoted a vision of post-Revolutionary society founded on specific notions of ethnicity, family, nation, education, religion and rural politics. The author combines examination of the speeches, images and newspaper articles which disseminated this vision with incisive literary analyses of Rulfo's work. These analyses are informed both by his original theory of irony, based on 'internal' and 'external' referents, and by existing postcolonial theories, particularly those of Homi K. Bhabha. Amit Thakkar is a Lecturer in Hispanic Studies at Lancaster University.

Amit Thakkar
Literary Collections
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book cover: When Stories Travel

Adapting Fiction into film is, as author Cristina Della Coletta asserts, a transformative encounter that takes place not just across media but across different cultures. In this book, Della Coletta explores what it means when the translation of Fiction into film involves writers, directors, and audiences who belong to national, historical, and cultural formations different from that of the adapted work. In particular, Della Coletta examines narratives and films belonging to Italian, North American, French, and Argentine cultures. These include Luchino Visconti's adaptation of James M. Cain's The Postman Always Rings Twice, Federico Fellini's version of Edgar Allan Poe's story "Never Bet the Devil Your Head," Alain Corneau's film based on Antonio Tabucchi's Notturno indiano, and Bernardo Bertolucci's take on Jorge Luis Borges's "Tema del traidor y del héroe." In her framework for analyzing these cross-cultural film adaptations, Della Coletta borrows from the philosophical hermeneutics of Hans-Georg Gadamer and calls for a "hermeneutics of estrangement," a practice of mediation and adaptation that defines cultures, nations, selfhoods, and their aesthetic achievements in terms of their transformative encounters. Stories travel to unexpected and interesting places when adapted into film by people of diverse cultures. While the intended meaning of the author may not be perfectly reproduced, it still holds, Della Coletta claims, an equally valid and important intellectual claim upon its interpreters. With a firm grasp on the latest developments in adaptation theory, Della Coletta invites scholars of media studies, cultural history, comparative literature, and adaptation studies to deepen their understanding of this critical encounter between texts, writers, readers, and cultural movements.

Cristina Della Coletta
Performing Arts
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book cover: Methods of Murder

The first extended analysis of the relationship between Italian criminology and crime Fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda. Many scholars have argued that detective Fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria's Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso's positivist Criminal Man. Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime Fiction .

Elena Past
Literary Criticism
10
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book cover: Mary, A Fiction and The Wrongs of Woman, Or Maria

Mary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband.By presenting the novellas in light of such texts as Wollstonecraft's letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft's writing goals as a radical feminist in the 1790s.

Mary Wollstonecraft | Michelle Faubert
Unknown
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book cover: Astounding Wonder

Astounding Wonder explores the emergence and dynamics of science Fiction in interwar popular culture.

John Cheng
Unknown
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