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book cover: Geomorphology

This text aims to provide students with the basic understanding of the origin of landforms and the processes that shape them. The book provides the elementary concepts that can be identified, mapped and interpreted of the various forms that constitute the earth's surface. It teaches students to make an assessment of the influence of external geologic processes on human activity. It helps to understand landform history and dynamics, and predicting future changes in morphology of the Earth, its organization and its typology guided by different bioclimatic conditions. Geomorphology is an essential topic for students taking a degree in topography, geology engineering and environmental sciences.

Mateo Gutierrez Elorza
Nature
3
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book cover: Marilyn

"Last year J. Randy Taraborrelli wrote a bestselling book entitled The Secret Life of Marilyn. His is the most recent of dozens written since Marilyn's death in August of 1962 and yet the appetite for information about Marilyn is insatiable. No matter whether sensational or flawed, as most of these biographies have been, the fans always come out, in best-selling numbers. This time, with Lois Banner's An Uncommon Woman, Marilyn's fans won't be disappointed. This is no re-tread of recycled material. As one of the founders of the field of women's history, Lois Banner will reveal Marilyn Monroe in the way that only a top-notch historian and biographer could. Banner appreciates the complexities of Monroe's personal life in the context of her acheivements as an actor, singer, dancer, comedian, model, and courtesan. And the new information she unearths is revelatory. Banner's credentials opened doors and she has access to material no one else has seen, from the so called "Rosetta stones" of Monroe research (two large file cabinets filled with a trove of personal papers), to an interview with a member of the Kennedy secret service detail who shared what he witnessed for the first time, to facts and anecdotes about her childhood and her death and every stage of her life in between that were either missed or ignored or misinterpreted. Like her art, Marilyn's self was rooted in paradox: she was a powerful star and a child-like waif, a joyful, irreverent party girl with a deeply spiritual side; a superb friend anda narcisist; a dumb blonde and an intellectual. No biographer before has attempted to analyze--much less realized--most of these aspects of her personality. Lois Banner has"--

Lois Banner
Biography & Autobiography
4
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book cover: Sailing - Philosophy For Everyone

"This volume reveals the wisdom we can learn from sailing, a sport that pits human skills against the elements, tests the mettle and is a rich source of valuable lessons in life. Unravels the philosophical mysteries behind one of the oldest organized human activities Features contributions from philosophers and academics as well as from sailors themselves Enriches appreciation of the sport by probing its meaning and value Brings to life the many applications of philosophy to sailing and the profoundlessons it can teach us A thought-provoking read for sailors and philosophers alike "--

Fritz Allhoff | Patrick Goold
Sports & Recreation
5
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book cover: The Midwest Farmer's Daughter

From yesterday's gingham girls to today's Google-era Farmer Janes, The Midwest Farmer's Daughterexplores the resurgent role played by female agriculturalists at a time when fully 30 percent of new farms in the US are woman-owned, but when, paradoxically, America's farm-reared daughters are conspicuously absent from popular film, television, and literature. In this first-of-its-kind treatment, Zachary Michael Jack follows the fascinating story of the girl who became a regional and national legend: from Donna Reed to Laura Ingalls Wilder, from Elly May Clampett to The Dukes of Hazzard'sCatherine Bach, from Lawrence Welk's TV sweethearts to the tragic heroines of Jane Smiley's Thousand Acres. From Amish farm women bloggers, to Missouri homesteaders and seed-savers, to rural Nebraskan graphic novelists and, ultimately, to the seven generations of entrepreneurial Iowan farm women who have animated his own family since before the Civil War, Jack shines new documentary light on the symbol of American virtue, energy, and ingenuity that rural writer Martha Foote Crow once described as the "great rural reserve of initiating force, sane judgment and spiritual drive." Packed with dozens of interviews, The Midwest Farmer's Daughtercovers the history and the renaissance of agrarian women on both sides of the fence. Giving equal consideration to both agriculture's time-tested rural and small-town Farm Bureaus, 4-H, and FFA training grounds as well as to the eco-innovations generated by the region's rising woman-powered "agro-polises" such as Chicago, the author crafts a lively, easy-to-read cultural and social history, exploring the pioneering role today's female agriculturalists play in the emergence of farmers' markets, urban farms, community-supported agriculture, and the new "back-to-the-land" and "do-it-yourself" movements. For all those whose lives have been graced by the enduring strength of American farm women, The Midwest Farmer's Daughteroffers a groundbreaking examination of a dynamic American icon.

Zachary Michael Jack
Social Science
6
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book cover: The Jazz Standards

Written by award-winning jazz historian Ted Gioia, this comprehensive guide offers an illuminating look at more than 250 seminal jazz compositions. In this comprehensive and unique survey, here are the songs that sit at the heart of the jazz repertoire, ranging from "Ain't Misbehavin'" and "Autumn in New York" to "God Bless the Child," "How High the Moon," and "I Can't Give You Anything But Love." Gioia includes Broadway show tunes written by such greats as George Gershwin and Irving Berlin, and classics by such famed jazz musicians as Miles Davis, Thelonious Monk, Duke Ellington, and John Coltrane. The book offers vibrant discussions of each song, packed with information about how the song was written, who recorded it, the song's place in jazz history, and much more. Gioia includes recommendations for more than 2,000 recordings, with a list of suggested tracks for each song. Filled with colorful anecdotes and expert commentary, The Jazz Standards will appeal to a wide audience, serving as a fascinating introduction for new fans, an invaluable and long-needed handbook for jazz lovers and musicians, and an indispensable reference for students and educators.

Ted Gioia
Music
7
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book cover: The Rise of Spanish-Language Filmmaking

Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. The costs were high and the results not terribly satisfying to audiences. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. With the arrival of sound, Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. With case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

Lisa Jarvinen
Unknown
8
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book cover: Hermes Pan

Armed with an eighth-grade education, an inexhaustible imagination, and an innate talent for dancing, Hermes Pan (1909-1990) was a boy from Tennessee who became the most prolific, popular, and memorable choreographer of the glory days of the Hollywood musical. While he may be most well-known for the Fred Astaire-Ginger Rogers musicals which he choreographed at RKO film studios, he also created dances at Twentieth Century-Fox, M-G-M, Paramount, and later for television, winning both the Oscar and the Emmy for best choreography. In Hermes Pan: The Man Who Danced with Fred Astaire, Pan emerges as a man in full, an artist inseparable from his works. He was a choreographer deeply interested in his dancers' personalities, and his dances became his way of embracing and understanding the outside world. Though his time in a Trappist monastery proved to him that he was more suited to choreography than to life as a monk, Pan remained a deeply devout Roman Catholic throughout his creative life, a person firmly convinced of the powers of prayer. While he was rarely to be seen without several beautiful women at his side, it was no secret that Pan was homosexual and even had a life partner. As Pan worked at the nexus of the cinema industry's creative circles during the golden age of the film musical, this book traces not only Pan's personal life but also the history of the Hollywood musical itself. It is a study of Pan, who emerges here as a benevolent perfectionist, and equally of the stars, composers, and directors with whom he worked, from Astaire and Rogers to Betty Grable, Rita Hayworth, Elizabeth Taylor, Sammy Davis Jr., Frank Sinatra, Bob Fosse, George Gershwin, Samuel Goldwyn, and countless other luminaries of American popular entertainment. Author John Franceschina bases his telling of Pan's life on extensive first-hand research into Pan's unpublished correspondence and his own interviews. Pan enjoyed one of the most illustrious careers of any Hollywood dance director, and because his work also spanned across Broadway and television, this book will appeal to readers interested in musical theater history, dance history, and film.

John Charles Franceschina
Biography & Autobiography
9
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book cover: Render Unto Rome

AN INVESTIGATION OF EPIC FINANCIAL INTRIGUE, RENDER UNTO ROME EXPOSES THE SECRECY AND DECEIT THAT RUN COUNTER TO THE VALUES OF THE CATHOLIC CHURCH. The Sunday collection in every Catholic church throughout the world is as familiar a part of the Mass as the homily and even Communion. There is no doubt that historically the Catholic Church has been one of the great engines of charity in history. But once a dollar is dropped in that basket, where does it go? How are weekly cash contributions that can amount to tens of thousands of dollars accounted for? Where does the money go when a diocese sells a church property for tens of millions of dollars? And what happens when hundreds of millions of dollars are turned over to officials at the highest ranks, no questions asked, for their discretionary use? The Roman Catholic Church is the largest organization in the world. The Vatican has never revealed its net worth, but the value of its works of art, great churches, property in Rome, and stocks held through its bank easily run into the tens of billions. Yet the Holy See as a sovereign state covers a mere 108 acres and has a small annual budget of about $280 million. No major book has examined the church's financial underpinnings and practices with such journalistic force. Today the church bears scrutiny by virtue of the vast amounts of money (nearly $2 billion in the United States alone) paid out to victims of clergy abuse. Amid mounting diocesan bankruptcies, bishops have been selling off whole pieces of the infrastructure—churches, schools, commercial properties—while the nephew of one of the Vatican's most powerful cardinals engaged in a lucrative scheme to profiteer off the enormous downsizing of American church wealth. From the Hardcover edition.

Jason Berry
Religion
10
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book cover: Jack Nicholson

Originally published as Jack Nicholson: Face to Face in 1975, Jack Nicholson: The Early Years is the first book written about the enigmatic star and the only one to have Nicholson's participation. In 1975 Nicholson was just becoming a household name in spite of having already starred in, written or produced 25 films including classics such as Easy Rider (1969), Five Easy Pieces (1970), The Last Detail (1973) and Chinatown (1974). To date, Nicholson has been nominated for twelve Academy Awards and won three, has garnered seven Golden Globe awards, and took home the American Film Institute's Life Achievement Award at the age of 57. Authors Robert Crane and Christopher Fryer interviewed Nicholson for what began as a thesis for a University of Southern California film class but which quickly morphed into a larger portrait of Nicholson's unique craft. Crane and Fryer conducted their interviews with Nicholson with the intent of showcasing the young star as he saw himself, while also interviewing many of Nicholson's close friends and fellow filmmakers, including Dennis Hopper, Roger Corman, Hal Ashby, Ann-Margret, Robert Evans and Bruce Dern, providing a comprehensive profile of the actor's early years in the industry. The result is a true insider's look at Nicholson not only as a writer, director and actor, but also offers insights into a private man's private life. Jack Nicholson: The Early Years stands as a testament to his incredible success in Hollywood.

Robert Crane | Christopher Fryer
Unknown
11
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book cover: Reforming Hollywood

Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated--and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry. He shows how a broad spectrum of religious forces have played a role in Hollywood, from Presbyterians and Episcopalians to fundamentalists and evangelicals. Drawing on personal interviews and previously untouched sources, he describes how mainline church leaders lobbied filmmakers to promote the nation's moral health and, perhaps surprisingly, how they have by and large opposed government censorship, preferring instead self-regulation by both the industry and individual conscience. "It is this human choice," noted one Protestant leader, "that is the basis of our religion." Tensions with Catholics, too, have loomed large--many Protestant clergy feared the influence of the Legion of Decency more than Hollywood's corrupting power. Romanowski shows that the rise of the evangelical movement in the 1970s radically altered the picture, in contradictory ways. Even as born-again clergy denounced "Hollywood elites," major studios noted the emergence of a lucrative evangelical market. 20th Century-Fox formed FoxFaith to go after the "Passion dollar," and Disney took on evangelical Philip Anschutz as a partner to bring The Chronicles of Narnia to the big screen. William Romanowski is an award-winning commentator on the intersection of religion and popular culture. Reforming Hollywood is his most revealing, provocative, and groundbreaking work on this vital area of American society.

William D. Romanowski
Performing Arts
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